iPoem · 4154.3854.504.603 · Cent mille milliards

1From playboy Chance the nymph no longer flees
2since Elgin left his nostrils in the stone
3he bent right down and well what did he seize
4one gathers rosebuds or grows old alone

5How it suprised us pale grey underlings
6nought can the mouse’s timid nibbling stave
7he’s gone to London how the echo rings
8Etruscan words which Greece and Rome engrave

9The peasants’s skirts on rainy days she’d tress
10what things we did we went the whole darned hog
11on wheels the tourist follows hos hostess

12But I can understand you Brogher Gog
13suits lisping Spanish tongues for whom say some
14and lessors’ dates have all too short a sum

Based on Raymond Queneau’s A Hundred Thousand Billion Poems, The 100,000,000,000,000 iPoem is a non-commercial artistic project inspired by Queneau’s work and the tradition of literary variation it inaugurated.
→ iPoem 4154.3854.504.603 (no. 793,391) was generated on September 8, 2026 at 3:50 am
→ voir version originale | create new iPoem
→ navigate in dataBase ‹ ‹ bwd | fwd › ›

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

Disclaimer: This website uses a temporary session cookie only; no persistent cookies are stored. As part of the 100,000,000,000,000 iPoem project, your IP address becomes one element in the generation of a unique poem among countless possibilities. The information is collected solely for the conceptual purposes of the artwork and is not used to identify you personally.

Okay – I got it – Close